28 February 2017
Chef Edward Delling-Williams is a key figure in the diaspora of mostly-Anglophone chefs emanating from the kitchen of restaurant Au Passage. It may have been James Henry's masterstroke to try that restaurant's intelligent, informal menu format in the haute-Marais, but it was Delling-Williams, his inviting and upbeat successor, who refined and normalized it, making Au Passage, for years, one of the city's most reliably charming tables. (A position it largely maintains.)
Delling-Williams' long-awaited new project is Le Grand Bain, a bar-restaurant opened in partnership with chef de salle and wine director Edouard Lax and interior designer Alexandre Janssens on the Belleville graffiti haven rue Dénoyez. The restaurant opened quietly last December, after significant delays that saw months of Delling-Williams plying his trade itinerantly around other Paris restaurant kitchens.
Anyone who passed through Au Passage during his tenure probably expected Delling-Williams to make a big splash in the kitchen at Le Grand Bain. Yet for now, with few exceptions, his work at the new venture has been remarkably unshowy. Delling-Williams knows by heart the burgeoning audience that exists for a savvy small-plates restaurant in Paris in 2017. In Le Grand Bain's crisp, brut space, he is playing to that audience with the irresistible panache of a seasoned croupier.
20 February 2017
The Native Companion and I were in Nice for New Year's. Before we returned to Paris I was able to convince her to submit to the rigmarole necessary to assure a lunch table at La Merenda, the city's most storied address for traditional Niçoise cuisine, run since 1996 by chef Dominique Le Stanc.
La Merenda famously has no phone, so one must personally pop by to request a table later in the day. As it happened our agenda that morning consisted of wandering aimlessly around the port, so this fit right into our schedule. The restaurant's popularity far exceeds its tiny space, however, and tables were understandably slow to turn that day. We had to circle back round twice after the appointed time came and went.
I didn't mind. I was enchanted the moment I laid eyes on La Merenda's sparse menu, scrawled on a blackboard posted to its frosted windows. If menu writing is a kind of literature, Le Stanc's menu at La Merenda possesses the hymn-like simplicity of Kafka's shortest works - "The Wish to be a Red Indian," perhaps. In the space of one sentence, Kafka proposes a subject before shearing it away in stages, until nothing remains but a profound absence. All the daily repetition of kitchen work and the generational repetition that has yielded traditional cuisine - all that absence of novelty - is contained on La Merenda's blackboard. The rarity of such a statement - anywhere in the world, let alone breezy, tourist-stricken Nice - gives La Merenda a curious power. At lunch, one can even overlook the dismal wine selection.
10 February 2017
The forecast called for rain, but my friend E and I had passed a perfectly calm, sunny day visiting winemakers around Saint-Amour last July. Among the crus of Beaujolais, Saint-Amour is a curious culture unto itself, a throwback to the era of négoçiant supremacy, an economy kept afloat by the unthinkably dumb people in France and abroad who regularly purchase the wine for Saint Valentine's Day. (I have never met anyone who has done this, but apparently such people exist. Just thinking about them makes me feel better about the invariably inconsequential gestures I muster for the same holiday.)
Not the most ravishing day of tasting, in short. But we had a pleasant makeshift lunch on the picnic tables in the square in Leynes, where later, in a quest to find coffee, we entered a truly strange, deserted bar, overrun with dogs and exotic birds. The owner descended from upstairs before we could scram, so Nespresso it was. We asked to sit on the terrace. The sky had begun to cloud over.
E and I huffed our cigarettes, bolted our bad coffees, and pulled on our helmets. I seem to remember it was a straight shot up a knobbly one-lane road to our last appointment of the day, where, finally, we'd taste some Saint-Amour worth falling for, along with some stunning Pouilly-Fuissés. It felt somehow appropriate, skidding up to the gates of the Château des Rontets at precisely the moment the storm broke.